Tuesday, May 22, 2012

Radio stations for Latino nonprofits coming in 2013

Latino Nonprofits' Opportunity to Buy Low-Cost Community Radio Stations
By Jessica J. Gonzalez

Very soon, non-profit organizations will have an opportunity to apply for (fairly inexpensive) radio stations in the communities that they serve. For years, the National Hispanic Media Coalition (NHMC) has been working with a coalition of organizations to bring more of these community radio stations (also known as low power FM or LPFM stations), to the radio dial. And now, after several Congressional and FCC victories, this dream is becoming a reality!

We worked on this so that Latino-led and Latino-serving organizations could have a greater presence over mainstream media. Radio continues to be the most pervasive media in the U.S. - reaching over 93% of the country every week. And we need more Latino voices!

While the window to apply for an LPFM station will not open until 2013, organizations must start the process of applying now. To see whether a community radio or LPFM station will be available in your area, please click here. Below is a list of upcoming webinars and trainings that will help your organization jump-start this process. If you cannot attend any of the following sessions, you can access previous webinars by clicking here.

Please forward this information to all those who may be interested, especially your local chapters across the country. And please feel free to reach out to me personally if you have questions or would like more information.

For further information
Jessica J. González
Vice President, Policy & Legal Affairs
National Hispanic Media Coalition

Webinar: Building the Community Media
Landscape with Low Power FM Radio
Tuesday, May 22, from 3:00 - 4:30 pm EST   Register for Free
In the winter of 2013 the FCC will be opening the first "fully implemented" Low Power FM (LPFM) application window, opening up the airwaves for hundreds of communities across the US. Nonprofits such as PEG stations are eligible to apply for LPFM licenses and make great candidates since many have the existing infrastructure and community support to successfully launch a station. In this webinar, participants will learn about: the process of submitting an FCC application, the costs/benefits of PEG/LPFMs, and the engineering involved in finding an available frequency. We will give a short overview of the power of low power FM radio stations and identify effective strategies to apply today. By explaining the new rules, policies and application procedures for LPFM, we'll help you build another outlet for local voices in your community media landscape. Hosted by the Alliance for Community Media and Jeff Shaw of Davis Media Access/KDRT-LP and Common Frequency.

Finding an Available Channel
and Tower/Transmitter Site
Friday, May 25, from 6:00 - 7:00 pm EST   Register for Free
One of the best ways Low Power radio applicants can prepare to apply is to start to look for viable tower/trasnmitter sites. (The tower/transmitter site is where the transmitter and antenna live, and it may or may not be at the same location as the studio). You will learn what you need to keep in mind when looking for a tower site, from coverage, location, terrain to FCC regulations. We will talk about reasonable assurance of transmitter site availability, and important FCC requirement that applicants forget pretty often. And the most exciting part, we will give a update in the new tools to search for channel search tools, you will learn strategies for finding and evaluating potential sites.

Como comenzar su
radio comunitaria - paso a paso
Viernes, 1 de Junio, 3:00 - 4:30 pm EST     Registrese gratuitamente  
En este webinar explicaremos paso a paso el camino para obtener una licencia de Radio de Baja Potencia. En Prometheus Radio Project estamos trabajando muy duro para poder apoyar y asesorar a las organizaciones y comunidades que quieren comenzar nuevas estaciones de baja potencia en su comunidad. La FCC abrirá una oportunidad durante el otoño para aplicar para licencias de LPFM. Te invitamos a participar en este webinar para informarte paso a paso que es lo que tu organización necesita saber para poder aplicar para una licencia de radio de baja potencia. Queremos abrir este espacio/dialogo en español para poder informar a las comunidades de inmigrantes de habla hispana para tener acceso a la oportunidad así como para responder sus preguntas sobre el proceso de aplicación.

How to Start your Community
Radio Station - Step by step
Friday, June 1st, from 3:00 - 4:30 pm EST   Register for free
In this webinar you will learn step by step how to apply for a low power FM (LPFM) community radio radio license. Prometheus Radio project is working to provide support and advice to organizations and communities that want to start new LPFM radio stations in their communities. The FCC will open a new window in the next 12 months to accept applications for new LPFM's.Join us and to learn about what do your organizations needs to know to apply for a LPFM radio license. We want to open a dialogue in Spanish to be able to inform immigrant Spanish speakers communities about the opportunity. We will be answering all your questions related to the application process.

Friday, May 11, 2012

Latina tapped to direct National Council on the Arts

President Obama taps Maria López De León for National Council on the Arts

SAN ANTONIO, TX - President Barack Obama has nominated Maria López De Leon, Executive Director for the National Association of Latino Arts and Cultures (NALAC), to become a member of the National Council on the Arts.    

Maria López De Leon
The National Council on the Arts advises the chair of the National Endowment for the Arts, who also chairs the council, on agency policies and programs. 

The 14-member council reviews and makes recommendations to the chair on applications for grants, funding guidelines and leadership initiatives. Presidential appointments to the council, by law, are selected for their widely recognized knowledge of the arts or their expertise or profound interest in the arts. They have records of distinguished service or achieved eminence in the arts and are appointed so as to represent equitably all geographical areas of the country.

Pending confirmation by the Senate, De León will serve a six-year term on the council.

NALAC Board Chairperson, Charles Rice-Gonzalez, said of the nomination, "We are overjoyed at this announcement which is a testament to the powerful trailblazing that Maria López De León has done for the Latino arts field and for NALAC. This proud moment for our community is an achievement we can all celebrate and signals a significant shift forward for Latino art and cultures."  
   
Ms. De León has been affiliated with NALAC for thirteen years and has served as Executive Director for ten years. Under Ms. De Leon's leadership, NALAC launched the Fund for the Arts, a grant program for Latino artists and organizations, completed production of a documentary series on Latino art and culture for PBS, and developed a grant program for cultural exchanges between the US, Mexico, and Central America.   Ms. De León is an advisory council member of San Anto Cultural Arts, Women of Color in the Arts, and is a fellow of the Rockwood Leadership Institute.

She has directed the continued development of eleven editions of the renowned annual Leadership Institute and the Latino Arts Advocacy Institute in Washington, DC; directed the convening of five national arts and cultural conferences and dozens of regional arts training workshops across the country. Under Ms. De Leon's leadership, NALAC completed production of Visiones, a six part documentary series on Latino art and culture for PBS and development of accompanying education curriculum distributed to over 35,000 schools. She is leading the efforts to renovate a historic site in San Antonio to serve as NALAC's national offices and home to a national arts leadership training institute.

Ms. De León has over twenty years of multifaceted experience in grass roots community and working with community based organizations across the country. She has served on multiple arts and culture policy panels across the country. Ms. De León is currently a fellow of the Rockwood Leadership Institute and completed the Wallace Foundation Leadership in Excellence and Arts Participation (LEAP) program. She studied Journalism at the University of Texas at El Paso. 

Saturday, May 5, 2012

Latino suit against Grammy's dismissed

Judge dismisses Grammy lawsuit
Dismisses lawsuit over Grammy category cuts but Bobby Sanabria vows to fight on
The Telegraph (UK) (30 Apr 2012)

A lawsuit filed against the Recording Academy over its decision to trim the Grammy Award categories, eliminating such categories as Latin jazz, has been dismissed.

The ruling last week by New York State Supreme Court Justice Jeffrey Oing granted the Academy's motion to reject a lawsuit by Grammy-nominated jazz musician Bobby Sanabria and three others.

Sanabria had been the loudest opponent of the Academy's decision last year to reduce its categories from 109 to 78 and fold some genres into larger fields. A vocal group that protested the cuts drew sympathizers that at one point included Carlos Santana, Paul Simon, Herbie Hancock and the Rev. Jesse Jackson. Sanabria called the cuts unfair, and even racist.

In an interview, Academy President and CEO Neil Portnow said he was gratified by the court's decision.

Sanabria held out the possibility of an appeal. "It's disappointing, but I expected this to be a long fight," he said.

The Academy announced last April that after a more than yearlong review, it had decided to trim its categories, in part to make the awards more competitive. That meant eliminating categories by sex, so men and women compete in the same vocal categories.

But it also eliminated other niche categories and created broader ones. For example, instead of a best Latin jazz album, those musicians competed against a larger group of artists in the best jazz instrumental category.
In his lawsuit, Sanabria accused the Academy of not following proper procedures and demanded that the best Latin jazz category be reinstated, saying the removal had a detrimental effect on the musicians' careers.
As the February awards drew closer, few key stars aligned themselves with Sanabria's cause.

Portnow said Sanabria represented a small number of the Academy's members and that most had no problem with the changes.

The Academy's board of trustees is due to meet in May to consider last year's other changes and other matters involving the Grammys. However, Portnow said it is unlikely they will reverse the cuts.

Sanabria was hopeful the board, which he said consists of new members sympathetic to his coalition's cause, might restore the categories. If not, Sanabria seemed prepared to continue the fight, which he said was for the good of the Academy.

"In families, there is always conflict," he said. "We love the Academy, and that's why we're fighting for this."

Friday, May 4, 2012

"Latino Americans" to be broadcast on PBS

PBS Series "Latino Americans" will Chronicle the Latino Experience in the U. S. Over the Last 200 Years; Premieres Fall 2013

PBS Partners with Latino Public Broadcasting (LPB) to Present the Landmark Project with Funding from the Corporation for Public Broadcasting and PBS

WETA Washington, DC (May 2, 2012)

ARLINGTON, VA - LATINO AMERICANS, a three-part, six-hour documentary series produced by WETA Washington, D.C.; Bosch and Company, Inc.; and Latino Public Broadcasting (LPB), will air nationwide on PBS in the Fall of 2013, the production partners announced today. LATINO AMERICANS will chronicle the lives and experiences of Latinos in the United States from 1800 to the 21st Century. Through its people, politics and culture, LATINO AMERICANS will tell the story of early settlement, conquest and immigration; of tradition and reinvention; of anguish and celebration; and of the gradual construction of a new American identity from diverse sources that connects and empowers millions of people today. Initial funding for LATINO AMERICANS is made possible by major grants from the Corporation for Public Broadcasting (CPB) and PBS.

The project brings together a diverse team of award-winning filmmakers from around the country to tell these stories, led by the Emmy Award-winning Series Producer Adriana Bosch. The team includes the Imagen Award-winning John Valadez, the ALMA Award-winning Ray Telles, the Peabody Award-winning Dan McCabe and the Emmy Award-winning Nina Alvarez (project staff list below). The production staff will utilize the accounts of historical figures and events; present-day interviews with Latinos - from best-selling authors, entrepreneurs and pop cultural celebrities to political leaders and everyday people, as well as historians and other experts; and historical re-enactments. LATINO AMERICANS will also include a Spanish-language version of the series, a companion book by acclaimed journalist Ray Suarez, and bilingual online educational resources.

"Over the centuries, Latinos - whether traveling across borders, or with deep roots in America itself - have profoundly influenced American culture and American history," said Bosch, whose recent PBS projects include LATIN MUSIC U.S.A. and several productions for the series AMERICAN EXPERIENCE. "LATINO AMERICANS is a story of pride, a story about the people whose lives and contributions are at the very essence of American life. Latinos have transformed America and transformed themselves, and having a group of Latinos tell this story in their own words is an important milestone in our history."

LATINO AMERICANS will span more than two centuries, exploring the rise and transformation of the idea of a "Latino American" identity, formed from people of diverse backgrounds, different countries, socioeconomic classes, educational levels and opposing political agendas. The series will portray how unique and diverse Latino cultures are, and yet how much they all share through a powerful identity, their Latinidad.

"Through LATINO AMERICANS, the production team is powerfully weaving together the compelling stories of Latinos who have been an intricate part of the development of this country," said Paula A. Kerger, President and CEO, PBS. "We're very proud to be bringing this important piece of American history to all audiences, hoping that it will help spread a better understanding of and appreciation for the cultures behind our nation."

"Public media creates content that connects to all Americans - on-air, online and in their communities - and reflects the complexity of our country's history and culture," said Patricia Harrison, President and CEO, Corporation for Public Broadcasting, a major project funder. "We believe LATINO AMERICANS will be an important series honoring both the mission of public media and the Latino contribution to America."

The production is a partnership between WETA Washington, D.C., the third-largest producing station for public broadcasting; Bosch and Company, Inc., a production company that specializes in documentaries with a strong commitment to making films by and about Latinos; and Latino Public Broadcasting (LPB), a leader in the development, production, and distribution of non-commercial educational programming that is representative of Latino people and issues.

"Latino Public Broadcasting is a proud partner on this series that portrays the rich cultural heritage and contributions of Latinos to our country," commented Edward James Olmos, Co-Founder and Chairman of the Board of Directors, Latino Public Broadcasting (LPB). "This project embodies our mission of providing a voice to the diverse Latino community throughout the United States in the most literal sense - from the Latino filmmakers behind the camera who are part of an impressive production team to the Latino individuals on the screen - leaders, historians, veterans - who through their personal stories will help tell this history. Furthermore, this project will create a national conversation between all Americans."

Beyond the Broadcast
LATINO AMERICANS will be supported by a major bilingual public engagement and education campaign, a corresponding bilingual website with user-generated digital content, social media platforms, and the development and distribution of school-based curriculum. Also, over the next year and a half, the project team will be working in partnership with groups and organizations to develop a series of national community-based screenings and discussion events to engage the public in the rich history and themes featured in the series.

LATINO AMERICANSwill also include a companion book written by Ray Suarez, Senior Correspondent for PBS NEWSHOUR.The companion book will be published by Celebra, an imprint of Penguin Group (USA), and will be released in conjunction with the broadcast premiere.

"Latino American history is American history," said Suarez."Through the paths of many individuals and communities we have come to a collective shared America, and in the LATINO AMERICANS series and my companion book, we work against every notion of treating this great story as anything separate or apart from U.S. history. PBS is the essential home for sharing this important project with the nation."

About the Series Content
The project staff have been working with a team of professors and historians to develop the narrative for this series. The LATINO AMERICANS Content Advisory Panel, listed below, was organized in 2008 and is still actively consulted on the ongoing production. The Content Advisory Panel includes individuals with backgrounds in economics, demographics, social and cultural studies, migration, and various history specialties.

"At last, a documentary that offers a big picture narrative of Latinos in the United States from the colonial period to the present," said Vicki Ruiz, Interim Dean of School of Humanities and Professor of History and Chicano/Latino Studies at University of California, Irvine, and member of the LATINO AMERICANS Content Advisory Panel. "Rather than focusing on one group or one event, this series seeks to have a larger conversation across time and across Latino cultural groups in order to better understand the historical imprints of Latinos on the American journey."

The three-part, six-hour long series will narrate the story of Latino Americans from 1800 to the 21st Century, starting with the English and Spanish colonies, and following with a survey of milestones in Latino American history. The series will intersect with much that is central to the history of the United States such as multiple wars, the Great Depression and the Civil Rights Movement. LATINO AMERICANS will also go to places where standard U.S. histories do not tend to tread, driven by the human dramas of individuals' struggles and triumphs, successes and disappointments, people whose stories tell us much about their times.

LATINO AMERICANS will trace the arrival of millions of people from the 1980s through to the 21st century, the largest migration of people in recent U.S. history. They came for a variety of reasons, including civil strife and wars, the impact of U.S. policy during the Cold War, and the impact of globalization and NAFTA. Many came to the U.S. for a better life for themselves and their families, in pursuit of the American Dream. The series will also examine the backlash of tightened borders, anti-bilingualism, and efforts to declare all undocumented immigrants as felons. But during the debate over immigration, a powerful new voice of second-, third- and fourth-generation Latinos rose to positions of power and influence, changing America's politics, policy and economy, and coalescing around a new phenomenon - the idea of Latino Americans.

About the Project Team
The production team brings many perspectives to the creation of the series. Their collective experience spans filmmaking around the world for news, documentaries and feature films, and individuals on the team have had their work recognized with George Foster Peabody Awards, Imagen Awards, Emmy Awards, Christopher Awards, Erik Barnouw Awards and an NCLR ALMA Outstanding Career Achievement Award.

"Our goal has been to produce a history about Latinos as has never been told. Towards that end, we have assembled an amazing line-up of filmmakers, historians and on-camera interview subjects," said Jeff Bieber, Series Executive Producer and Vice President, News and Public Affairs Programming, WETA Washington, D.C. "We have the opportunity to shed light on American history that many people do not know. The depth and breadth of the history brought to life by our team will be unprecedented, driven by the human dramas of the individuals featured."

The LATINO AMERICANS project staff includes the following individuals (in alpha order):
  • Nina Alvarez, Co-Producer
  • Sabrina Avilés, Associate Producer
  • David Belton, Director of Re-Enactments
  • Jeff Bieber, Series Executive Producer for WETA
  • Adriana Bosch, Series Producer
  • Dalton Delan, Series Executive Producer for WETA
  • Sonia Fritz, Director of Re-Enactments
  • Yvan Iturriaga, Associate Producer
  • Salme Lopez, Supervising Producer
  • Dan McCabe, Producer
  • Javier Melendez, Production Assistant
  • Monika Navarro, Associate Producer
  • Cathleen O'Connell, Producer of Re-Enactments
  • Sandie Viquez Pedlow, Series Executive Producer for Latino Public Broadcasting (LPB)
  • Ray Telles, Producer, and Consulting Producer of Re-Enactments
  • John Valadez, Producer
The LATINO AMERICANS Content Advisory Panel is comprised of the following individuals (in alpha order):
  • George J. Borjas, Robert W. Scrivner Professor of Economics and Social Policy at the John F. Kennedy School of Government, Harvard University; and Research Associate at the National Bureau of Economic Research
  • Linda Chavez, Chairperson of the Center for Equal Opportunity; and author of Out of the Barrio: Toward a New Politics of Hispanic Assimilation
  • Juan Flores, Visiting Professor of Social and Cultural Analysis at New York University
  • Donna Gabaccia, Rudolph J. Vecoli Professor at the University of Minnesota and Director of the Immigration History Research Center
  • Maria Cristina Garcia, Professor of History at Cornell University
  • Gary Gerstle, James Stahlman Professor of History at Vanderbilt University
  • David Gutierrez, Associate Professor of History at the University of California at San Diego
  • Stephen J. Pitti, Professor of History & American Studies; Director of the Program in Ethnicity, Race, and Migration; and Director of the Latina/o History Project at Yale University
  • Vicki Ruiz, Interim Dean of School of Humanities and Professor of History and
  • Chicano/Latino Studies at University of California, Irvine
  • Marta Tienda, Maurice P. During '22 Professor in Demographic Studies and Professor of Sociology and Public Affairs at Princeton University

LATINO AMERICANS is a co-production of WETA Washington, D.C., Bosch and Company, Inc., and Latino Public Broadcasting (LPB). Major funding for LATINO AMERICANS is provided by Corporation for Public Broadcasting (CPB), Public Broadcasting Service (PBS), Ford Foundation, National Endowment for the Humanities, The Rockefeller Foundation, The Arthur Vining Davis Foundations, Latino Public Broadcasting (LPB) and The Summerlee Foundation.